The Biotope around the Cowshed Withers and Dies and I Search for New Life There In The Pond, Pauline de Bok withdraws to her home in the countryside of Northeast Germany. But there too, in the midst of forests and lakes, the ecosystem is under threat: the water level is falling, trees are affected by disease and for the first time in twenty years the natural pond near her cowshed dries up. It is alarming, but she refuses to lose heart. She lays a new, clay pond, does battle with goosegrass and brambles, makes room for swallows, bats and insects. In the meantime, she ponders our relationship to nature and the extent to which human intervention is useful or necessary. ‘We happen to be an animal species, but within a century we have depleted the earth. And now we think we can carry on like that and save the day too.’ And if we do manage to turn the tide, what’s the point in the long run? ‘We are taking on ever greater burdens and at the same time we realize how powerless we are as individuals and how out of control as a species.’ In The Pond, daily toil on the farm is connected with fundamental questions about man and nature. ‘Writer and philosopher Pauline de Book shows that climate change is also being felt on her small farm in north-eastern Germany. She tries to grasp nature’s unfathomability.’ — Filosofie Magazine Pauline de Bok (b. 1956) read theology and philosophy before going into journalism and radio documentaries. She lives partly in Amsterdam and partly in the Mecklenburg countryside, the latter the inspiration for Blankow or the longing for Heimat (2006) which was translated into German and awarded the Annalise-Wagner Prize. A novel The Huntress was published in 2014, the non-fiction book Prey. A year of hunting in 2016. The German translation by Gerd Busse of De poel (2021) will be published by C.H. Beck in 2022. (Source: Nederlands Letterenfonds / Dutch Foundation for Literature) German Edition by C.H.Beck (february 2022):

On hunting, nature, and living with the rhythm of the seasons Prey is the account of Pauline de Bok’s hunting for wild boar, deer and fox in the German countryside. When she had success and killed an animal, she took her catch back to the barn, skinned it, cut it up and ate it. She describes in detail the whole process of the chase, from spotting the first spoor, to the lying in wait, killing, dragging back the kill and skinning it, and, finally, digesting it. ‘Lunch at last, I’m starving. I cut lumps of fat from its belly, and melt them in the pan to fry a couple of thin slices of liver. Smells even better than when fried in butter. Bread on the side, buttermilk, and that’s it.’ This book could be called a literary memoir, along the lines of Helen Macdonald’s H Is For Hawk, with its clarity, its perceptive analysis of the relationship between man and nature and its reflections on the end of life. It is also a peculiarly personal book in which the fascination, tension and direct experience of hunting is made tangible. De Bok vividly describes the joy of the chase for the hunter, what they experience, their close knowledge of animals. The killing itself is a culmination of tension, fear and concentration; it is also the gruesome defeat of a wounded, wild animal in its death throes. De Bok doesn’t shy away from confrontation: what gives the hunter the right to inflict such an end on a living creature? Prey shows how confrontational hunting can be: hunting and killing are outside most of our experience, and at odds with our protected, controlled world in which experience is now often artificial if not virtual, a world in which we enjoy eating meat without a care for the miserable existence most farmed animals endure, or their merciless industrial ending. About The Huntress:‘The Huntress is more than a book celebrating the splendour of the chase. Ethical questions creep through the descriptions of nature. She shows how the love of the chase is in us all, man and beast, and seems to imply that it is how we cope with that which determines who we are. As such, The Huntress is both ode to a controversial leisure pursuit, and a book which raises the ethics of life and death.’ — Recensieweb (Source: Nederlands Letterenfonds / Dutch Foundation for Literature) > sample excerpt Translations